Tag Archive for Bela Lugosi

Serial Thriller: House of Frankenstein

"Then Madge told I was soaking in Palmolive dishwashing liquid..."

A bizarre revenge tale mixed with elements of horror tragedy. Universal went all out to bill this as an extreme monster mash-up, deliberately creating the archetypes that have become so familiar, reaching as far back as The Hunchback of Notre Dame to label the simpering Daniel (J. Carrol Naish) as the Quasimodo-ish assistant.

Serial Thriller: Frankenstein Meets the Wolf Man

'Frankenstein Meets the Wolf Man'

Arguably the best of the monster mash-ups. It begins with the awakening of presumed-dead wolf man, Larry Talbot, and follows him to a London asylum, from whence he then travels across Europe to the fictional town of Vasalia (which has inexplicably become Frankenstein’s home) to find a cure for his lycanthropy.

Serial Thriller: The Ghost of Frankenstein

'The Ghost of Frankenstein'

After a strong and memorable performance as the now iconic Ygor in the previous Frankenstein film, Bela Lugosi returns to wreak havoc once more, this time coaxing his new best friend, the monster, from the village of Frankenstein to the neighboring village of Vasaria, where yet another son of Frankenstein lives.

Serial Thriller: The Wolf Man

Caption

This is a more direct monster movie than Frankenstein. What it lacks in complexity, however, it makes up for in performances, especially Claude Rains, Ralph Bellamy, Maria Ouspenskaya, and no less than Dracula himself, chameleon Bela Lugosi as Bela, the cursed gypsy fortune teller who passes his burden onto Lon Chaney, Jr.’s Lawrence Talbot.

Serial Thriller: Son of Frankenstein

'Son of Frankenstein'

After Bride of Frankenstein, the series delved into equally campy territory, with a slightly straighter face, for this second sequel. Basil Rathbone is perfect as the disdainful Wolf von Frankenstein, unwelcome heir of the now completely redesigned Castle Frankenstein.

Serial Thriller: Frankenstein

Caption

By no means the first horror movie ever made (nor, in fact, the first Frankenstein movie ever made) but James Whale’s eternal classic is the fountainhead from which has sprung the modern horror movie. Though he would later go on to make the deliberately silly Bride of Frankenstein, here Whale constructs an elegantly tragic frightener that taps into the timeless theme of man playing god.